El 68 uruguayo: el movimiento estudiantil entre molotovs y música beat de Vania Markarian (2012)

Autores

  • Ana-María Alarcón-Jiménez INET-MD, Universidade Nova de Lisboa

Biografia do Autor

  • Ana-María Alarcón-Jiménez, INET-MD, Universidade Nova de Lisboa
    Ana-María Alarcón-Jiménez is a research assistant and a doctoral student at the Instituto de Etnomusicologia, Música e Dança of the Universidade Nova de Lisboa (Portugal). She has researched and studied at the Graduate Center of the City University of New York (CUNY), the University of California in San Diego, the University of Arkansas (Fayetteville, USA), and the Universidad Nacional de Colombia. She has been awarded full scholarships by all the above mentioned institutions. Alarcón-Jiménez is contributor of the Society of Ethnomusicology Student Union Blog and co-director of the FAT, experimental music festival, in Burgos, Spain.

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Publicado

2015-11-10

Edição

v. 4 n. 2 (2015): Sound and Dissonance: Music in Latin­ American Culture

Seção

Foco

Licença

 

From Vol. 1, Nr.2 onwards this work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 Unported License.


Creative Commons License

Critical Reviews on Latin American Research | CROLAR
by www.crolar.org is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

 

 

Como Citar

El 68 uruguayo: el movimiento estudiantil entre molotovs y música beat de Vania Markarian (2012) (A.-M. Alarcón-Jiménez, Trad.). (2015). Critical Reviews on Latin American Research - CROLAR, 4(2). https://www.crolar.org/index.php/crolar/article/view/206