Aesthetics and its Discontents by Jacques Rancière

Autores/as

Palabras clave:

aesthetics, politics, music, noise, dissensus,

Biografía del autor/a

  • Daniel Villegas Vélez, University of Pennsylvania
    Ph. D. candidate in Historical Musicology.

Referencias

Geoffrey Baker, El Sistema: Orchestrating Venezuela’s Youth (New York: Oxford UP, 2014).

Jacques Rancière, “Metamorphoses of the Muses,” Sonic Process: A New Geography of Sounds (Barcelona: ACTAR, 2002).

Jairo Moreno and Gavin Steingo. “Rancière’s Equal Music.” Contemporary Music Review 31. 5–6 (Oct–Dec 2012).

Alberto Toscano, “Anti-Sociology and its Limits” in Reading Rancière, P. Bowman and R. Stamp, eds. (New York: Continuum, 2011).

Descargas

Publicado

2015-11-10

Número

Vol. 4 Núm. 2 (2015): Sound and Dissonance: Music in Latin­ American Culture

Sección

Clásicos Revisados

Licencia

 

From Vol. 1, Nr.2 onwards this work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 Unported License.


Creative Commons License

Critical Reviews on Latin American Research | CROLAR
by www.crolar.org is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.

 

 

Cómo citar

Aesthetics and its Discontents by Jacques Rancière (D. Villegas Vélez, Trad.). (2015). Critical Reviews on Latin American Research - CROLAR, 4(2). https://www.crolar.org/index.php/crolar/article/view/225