Aesthetics and its Discontents by Jacques Rancière

Authors

  • Daniel Villegas Vélez University of Pennsylvania

Keywords:

aesthetics, politics, music, noise, dissensus,

Author Biography

Daniel Villegas Vélez, University of Pennsylvania

Ph. D. candidate in Historical Musicology.

References

Geoffrey Baker, El Sistema: Orchestrating Venezuela’s Youth (New York: Oxford UP, 2014).

Jacques Rancière, “Metamorphoses of the Muses,” Sonic Process: A New Geography of Sounds (Barcelona: ACTAR, 2002).

Jairo Moreno and Gavin Steingo. “Rancière’s Equal Music.” Contemporary Music Review 31. 5–6 (Oct–Dec 2012).

Alberto Toscano, “Anti-Sociology and its Limits” in Reading Rancière, P. Bowman and R. Stamp, eds. (New York: Continuum, 2011).

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Published

2015-11-10

How to Cite

Villegas Vélez, D. (2015). Aesthetics and its Discontents by Jacques Rancière. Critical Reviews on Latin American Research - CROLAR, 4(2). Retrieved from https://www.crolar.org/index.php/crolar/article/view/225

Issue

Vol. 4 No. 2 (2015): Sound and Dissonance: Music in Latin­ American Culture

Section

Classics Revisited

License

 

From Vol. 1, Nr.2 onwards this work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 4.0 Unported License.


Creative Commons License

Critical Reviews on Latin American Research | CROLAR
by www.crolar.org is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.